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Biennale d’Architecture d’Orléans COLLECTING DREAMS TO SHOWCASE
by Luca Galofaro and Abdelkader Damani
We asked the curators of the first edition of the Biennale d’Architecture d’Orléans to tell us about the birth and development of this project. But, even before that, we thought it was important ... >>
Adelita Husni-Bey URIEL ORLOW. NAMING AND NECESSITY. BEFORE PLANTS HAD A NAME
by Clara Madaro
Uriel Orlow returns to Italy, in Turin, precisely at PAV (Parco Arte Vivente) with the exhibition What Plants Were Called Before They Had A Name, curated by Marco Scotini ... >>
Adelita Husni-Bey ON MAGIC
by Teodora Pasquinelli
A Skype conversation with artist Adelita Husni-Bey, currently showing at the 57th Venice Biennale’s Italian Pavilion, and philosopher Federico Campagna, author of the forthcoming ... >>
AMIE SIEGEL. SIMULACRA IN SEARCH OF LOST TIME AMIE SIEGEL. SIMULACRA IN SEARCH OF LOST TIME
by Teodora Pasquinelli
“We love only what we do not wholly possess” wrote Marcel Proust in the The Prisoner, the fifth volume of his masterpiece In Search of Lost Time. Similar thoughts emerge by ... >>
Sara Enrico SARA ENRICO. À TERRE, EN L'AIR. STASIS AND PROCESS
by Giovanna Manzotti
After every processual phase, a moment of stasis. Nothing is reset, but everything is sedimented in a potentially infinite suspension that brings with itself changes of material ... >>
Kintera PATHWAYS IN REGGIO EMILIA IN THE NATURE OF KRIŠTOF KINTERA
by Giulia Lopalco
In the big hall on the ground floor of Collezione Maramotti, the viewer walks through digital waste materials, motherboards, cables, agglomerated in islands like ... >>
Matteo Nasini MATTEO NASINI. SEEING THE ABYSS IN COMMON PLACES
by Francesco Angelucci
SOME REFLECTIONS ON THE AUDIO RESEARCH BY MATTEO NASINI STARTING FROM SPARKLING MATTER, THE PROJECT WITH WHICH HE WON THE TALENT PRIZE 2016 ... >>
Lichter LICHTER. AN ELECTROACOUSTIC PROJECT BY MOUSE ON MARS
by Francesco Lucifora
ON THE OCCASION OF THE MOM LIVE SET LICHTER SCHEDULED FOR MAY 13TH IN THE MODICA ART SYSTEM PROJECT, WE PROPOSE A FOCUS ABOUT MOUSE ON MARS ... >>
Ressler OLIVER RESSLER. THINK THE IMPOSSIBLE
by Cristina Palumbo
Thinking the impossibile. Oliver Ressler (b. 1970), an Austrian activist and artist, explicitly invites, through art, to a shared and joint political and social reflection, never passive nor ... >>
Kozyra KATARZYNA KOZYRA’S TOTAL ART
by Manuela Lietti
Some thoughts on Katarzyna Kozyra’s body of work on the occasion of her first solo show in China at Three Shadows Photography Art Center (Beijing) as well as on the occasion ... >>
rhode ROBIN RHODE’S CRITICAL TROMPE-L’OEIL
by Luciana Rogozinski
As an artifice employed in painting and architecture from antiquity to the present day, trompe-l’oeil is generally at the service of illusion: by way of it a fictitious world ... >>
billarant FRANÇOISE AND JEAN-PHILIPPE BILLARANT. A COLLECTION
interview by Veronica Botta
The billarants recount, through a quick exchange of questions and answers, their way of conceiving art and life. Over the years they have flanked and supported the artists ... >>
KJARTANSSON BEING NOSTALGIC IN A FORWARD-LOOKING WAY. RAGNAR KJARTANSSON
by Antonella Croci
Besides being a well-known Danish soprano, Engel Lund was Ragnar Kjartansson’s godmother. Her fame was so great that several personalities throughout Europe ... >>
AI WEIWEI AI WEIWEI, THE SUBLIME WEIGHT OF TRADITION
by Francesco Marmorini
If there is an aesthetic category among the traditional ones that can be revived in most of Ai Weiwei’s work it is the mathematical sublime: the state of mind that according ... >>
Unlimited freedom BURRI V/S RAUSCHENBERG… AND KOUNELLIS. UNA TESTIMONIANZA
by Roberto Lambarelli
At the time of the collaboration with Giorgio Cortenova at Palazzo Forti, between the second half of the eighties and the early nineties, we realized a series of exhibition events ... >>
Unlimited freedom UNLIMITED FREEDOM
by Maria Chiara Valacchi
SATURATED COLOUR AND MARKED HISTORICAL REFERENCES. SHORT REFLECTIONS ON THE PAINTING OF SOME ARTISTS BORN IN THE EIGHTIES ... >>
Opalka ROMAN OPALKA. TIMELESS, HOMELESS OEUVRE
byClaudia Fiasca
If Time is a bearer of truth, Roman Opalka (1931-2011) went through this dimension throughout his life, in the attempt to get near to the abyss of infinity through such a radical practice ... >>
Gilardi PIERO GILARDI AND THE “BIOPOLITICS OF THE LIVING”. WRITINGS FROM 1963 TO 2014
by Ilaria Bernardi
“The artist is critical by his nature, implicitly critical, precisely because of his creative structure,” Carla Lonzi postulates in her famous volume Autoritratto [Self-portrait] ... >>
DSL COLLECTION COLLECTING IN THE AGE OF GLOBAL SHARING. THE DSLCOLLECTION
by Manuela Lietti
The word “collecting” comes from the Latin word “colligere,” which literally means to gather together, but the term hides quite a wide array of other semantic nuances ... >>
Gormley Antony Gormley’s Host. The art of empathy against entropy
by Manuela Lietti
One constant aspect of your work deals with bridging the gap between inside and outside, form and formlessness, what has already become and what is in a constant state of ... >>
Filko-Kogelnik IN DEFENSE OF WASTE. JORDI MITJÀ BETWEEN MONUMENT AND ANTI-MONUMENT
by Massimiliano Scuderi
The Catalan artist Jordi Mitjà, born in 1970, puts improvisation at the center of his artistic production as a process that opens to spatiality and unexpected sculptural landscapes... >>
Filko-Kogelnik STANO FILKO AND KIKI KOGELNIK. TWO DIFFERENT WAYS OF BEING OF THE AVANT-GARDE
by Daniela Cotimbo
The Lira Gallery, the Roman premises of the Viennese Emanuel Layr gallery at GATE, presents the work of two artists with structured historical profiles and apparently distant ... >>
ADRIAN VILLAR ROJAS ADRIÁN VILLAR ROJAS. THE IMPORTANCE OF CONTEXT AND THE DEVELOPMENT OF NEW WORLDS
by Alberto Fiore
The emotional aspect of Adrián Villar Rojas’s projects is a founding part of his works and the emotivity is also one of the main aspects that this artist manages ... >>

 

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I ART. AN OPEN CALL TO WIN AN ARTIST RESIDENCE IN SICILY

Artist in Residence is a project sponsored by I Art, a project created as an artistic movement that, through the hybrid, innovative and plural forms of Contemporary Arts, wants... >>
sparnzi
GIANNI CARAVAGGIO. THE INAUGURAL BEGINNING OF THE IMAGE
by Giovanna Manzotti
Cinque proposizioni per un mondo nuovo is a highly evocative title, almost a declaration of precise intentions that sees in the demiurgic act its point of imaginative initiation ... >>
gianni-caraggio
SPEAKING TO OTHERS: WHO SPEAKS TO WHO
by Ilaria Castellino
The work William Furlong undertaken in the years of Arts Audio, an immense documentary archive ranging over 33 years, is precious. Brilliant ideas are often the simplest and the idea of collecting ... >>
WILLIAM-FURLONG-Who Speaks to Who
DYNAMICS OF VISUAL PERCEPTION IN MAURIZIO MOCHETTI’S CHANGING HORIZONS
by Paolo Mastroianni
Stimulated by a dynamic tension that fuels its creative inspiration with unexpected effects of visual détournement, the world of Maurizio Mochetti (1940) once again instigates a game of receptive exchanges ... >>
MIKE AND DOUG STARN. CHANGING ORGANISMS AND INFORMAL RELATIONS

The spaces of MACRO Testaccio in Rome host Big Bambù, a huge installation – made on occasion of the sixth edition of Enel Conteporanea, curated by Francesco Bonami – that al ... >>
LORIS GRÉAUD. REALITY AS A RESEARCH TOOL

In conversation with Andrea Ruggieri, Loris Gréaud and Valentina Ciarallo. For the world première of his last film The Snorks. A concert for creatures at the Complesso Monumentale Santo Spirito ... >>

 


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